graculus

Salvage Crew and Pilgrim Machines

4/5. A pair of related scifi novels largely narrated by sentient ships in a plausible corporatist space future. The first book is a sort of survival horror first contact situation, and the second is philosophical space exploration and consideration of mortality on the personal and galactic scale.

I like these. They manage that trick of feeling old-fashioned in the best way. Particularly the big ideas exploration book – it’s giving Niven or Vinge or Baxter or similar, except, you know, not variously phobic and -ist. Actually, several of the characters are Buddhist, which offers a really interesting lens on some more classic science fictional topics.

I’m a little suspicious about why these books didn’t take off, TBH. He got buzz early on, then seemed to fall off the map. I’m pretty plugged into new and interesting SFF, and I’ve only heard about him from one person. I have a suspicion this is because he openly talks about how he uses AI. E.g., in the first book here, he had AI generate hundreds of short poems on various themes, and he picked several for his AI ship to “write.” He is transparent about how he prompted and why he did it that way. I suspect this got some sort of AI stink on him, professionally, which is a real shame.

I will also add, they got Nathan Fillion to read the first audiobook. Normally I do not like these celebrity narrators, but actually, it’s kind of brilliant? He has this bro-y cynical depressive emotionalism that hit just right for the ship narrator of that book.

Content notes: Corporate hellscape stuff, body horror.

The Montessori Child

4/5. What it sounds like, focusing mostly on the 6-12 age range, and a bit on the teenage years. A good survey book that passes lightly over a lot of things and gives good recommendations for where to look for deeper info. The sort of book that will say in passing that of course a child’s gender may not be as a parent wants or expects and a parent should follow the child’s lead. Good information delivered in a paragraph whereas the people who need it the most probably need a full book on it. Useful to me largely in that it made me realize that I already know most of this, at least in general. Good to know some things have stuck after all the parent ed Cb’s montessori school does.

At Midnight Comes the Cry

3/5. Tenth in this series of mysteries about the episcopal priest and the police chief (they are married with baby at this point).

I’m always happy to spend more time with these characters, but I’m gonna be honest here: I come to this series for small town stuff and mysteries and a light but intense approach to relationships. I do not come for white nationalist terrorism or action movie stuff. And yet, guess what I got here.

This also feels like a final book, with a weirdly pasted on ‘five years later’ epilogue. Which is fine if that’s how it is, but I was disappointed in the treatment that a secondary couple got. She is so good at relationships that shouldn’t work but do. In this case, a divorced woman in her thirties with young kids and a history in the porn industry, and an early twenties rookie on the police force. She does messy but magnetic so well, and she let them develop over many books. So I found the conclusion(?) to their story here, and how little attention was paid to the thorny emotional stuff between them, to be uncharacteristic and disappointing. Same take on the resolution(?) of the addiction plotline.

Content notes: White nationalism of several flavors, violence (domestic and otherwise)