unpopular opinions
Oct. 30th, 2025 06:02 amSaying that the creative process of creation/conception for a story/novel MUST START with character/goal/motivation is complete fucking nonsense. You will usually need it in the END PRODUCT (modulo weird edge cases like Olaf Stapledon's Last and First Men), but that doesn't have to be the inception.
cf. composing music, where this would be like saying to a composer: you MUST ALWAYS start FIRST with a melody or you MUST ALWAYS start FIRST with a harmonic progression or you MUST ALWAYS start FIRST with instrumentation etc. No??? You can start in any of a number of places and still wind up with music???
There are times you need to start with $XYZ because of the use case (if writing for a string quartet, that constrains your instrumentation, ranges, techniques).
But when writing music, I can START in ANY of these places (not a complete list) (and have done so at various points):
- instrumentation
- tempo
- time signature
- harmonic progression
- a rhythm
- a vibe
- key/mode/etc
- melody or leitmotif
- structure/form (e.g. theme and variations, ternary form)
- a transformation (e.g. diminution, retrograde)
- articulation(s) to feature
- trolling ("What if I rewrote Swan Lake's theme in 5/4?")
etc
You're not going to be able to tell which one from the RESULTING MUSIC as an end product.
For that matter, watching web/comic creators talk about story ideation is fascinating. A bunch of them start with "I drew this cool character, but who are they? what is their story?", which is absolutely not my process since I don't visualize, but it's a perfectly cromulent process!
cf. composing music, where this would be like saying to a composer: you MUST ALWAYS start FIRST with a melody or you MUST ALWAYS start FIRST with a harmonic progression or you MUST ALWAYS start FIRST with instrumentation etc. No??? You can start in any of a number of places and still wind up with music???
There are times you need to start with $XYZ because of the use case (if writing for a string quartet, that constrains your instrumentation, ranges, techniques).
But when writing music, I can START in ANY of these places (not a complete list) (and have done so at various points):
- instrumentation
- tempo
- time signature
- harmonic progression
- a rhythm
- a vibe
- key/mode/etc
- melody or leitmotif
- structure/form (e.g. theme and variations, ternary form)
- a transformation (e.g. diminution, retrograde)
- articulation(s) to feature
- trolling ("What if I rewrote Swan Lake's theme in 5/4?")
etc
You're not going to be able to tell which one from the RESULTING MUSIC as an end product.
For that matter, watching web/comic creators talk about story ideation is fascinating. A bunch of them start with "I drew this cool character, but who are they? what is their story?", which is absolutely not my process since I don't visualize, but it's a perfectly cromulent process!






