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Aug. 12th, 2005 05:27 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
graculusAnd meanwhile, I'm throwing myself to the lions... ;)
There's a discussion on one of the mailing lists I belong to about why zine sales seem to be dropping at conventions. There's speculation that perhaps 'young people today' just don't have the same bookworm tendencies and therefore don't buy books and so the not-buying-zines behaviour is just part of the same pattern. I'm not convinced.
I probably shouldn't have, but here's my post - I'd be interested in comments from the people reading this about the subject as a whole:
I think that the situation with zine sales is the result of a number of factors coming together.
First off, I wonder just how many of the people who attend conventions are the same people as previous years? How many new people do even the big cons like MW get, in terms of people who are 'con virgins'? Zines are luxury items, convention attendance even more so, particularly if you're talking about the US where paid leave seems to be at a premium. If conventions themselves aren't being 'sold' to fans then how are they going to survive as the people running them get older and/or less interested in giving up their time to organise them?
Part of the problem with zines is that (like it or not) some of the people producing zines have, to some extent, been their own worst enemy. I can't begin to detail the number of times I've seen the whole zine v. internet debate chewed over in a variety of locations and it never ends well. Like it or not, zines still for many fans have an elitist label stuck to them, based on a supposedly superior quality of fic which hasn't always been the case. Anyone who's been around in fandom for a while will be able to attest to the fact that we have some champion grudge carriers around here. ;)
I think the face of fandom as a whole is changing too. Very few fans seem to be single fandom any more - I remember when I first started attending cons, Sentinel was the fandom that seemed to be sweeping all before it, with more zines than every other fandom together (or so it seemed) and room for not just genre zines but also *sub*-genre zines (virgin!Blair zines being the first example that comes to mind). Where are all the Sentinel fans now? Single fandom fans seem to be much commoner in the older fandoms - I've come across quite a few in UNCLE and I believe it's also the case for fandoms like Pros and Starsky & Hutch.
I guess for me, the question is: what is it about zines that people can't get anywhere else? If it's about having fic in a handleable format, most people now have printers and access to alternative means of binding. For any but the old school fandoms, the chances of you getting fic there which doesn't eventually end up online is never going to be that good, so that's not as much of a pull. Particularly when we're talking about fandom as a whole being so much bigger *because* of the internet, mailing lists, livejournal communities. And certainly there hasn't always been a substantive difference in quality of what's being offered - the major difference at times has been more about presentation than content. And as the economic pressures bite, a fancy cover is going to be the least of people's worries.
Not sure what my conclusion is from all this - personally speaking, I like submitting stuff to zines but if I hadn't done that, I doubt I'd have bought all that many zines. Likewise, if I hadn't got into crossing the Atlantic for cons, I definitely wouldn't have bought many (any?) non-trib zines at $9 a pop shipping, besides which I like to see what I'm getting for my money. While I bless the invention of Paypal for getting money to people overseas, there's lots of competition for my attention and my wallet, so what makes zines so special?
*waits for the rocks* ;)
There's a discussion on one of the mailing lists I belong to about why zine sales seem to be dropping at conventions. There's speculation that perhaps 'young people today' just don't have the same bookworm tendencies and therefore don't buy books and so the not-buying-zines behaviour is just part of the same pattern. I'm not convinced.
I probably shouldn't have, but here's my post - I'd be interested in comments from the people reading this about the subject as a whole:
I think that the situation with zine sales is the result of a number of factors coming together.
First off, I wonder just how many of the people who attend conventions are the same people as previous years? How many new people do even the big cons like MW get, in terms of people who are 'con virgins'? Zines are luxury items, convention attendance even more so, particularly if you're talking about the US where paid leave seems to be at a premium. If conventions themselves aren't being 'sold' to fans then how are they going to survive as the people running them get older and/or less interested in giving up their time to organise them?
Part of the problem with zines is that (like it or not) some of the people producing zines have, to some extent, been their own worst enemy. I can't begin to detail the number of times I've seen the whole zine v. internet debate chewed over in a variety of locations and it never ends well. Like it or not, zines still for many fans have an elitist label stuck to them, based on a supposedly superior quality of fic which hasn't always been the case. Anyone who's been around in fandom for a while will be able to attest to the fact that we have some champion grudge carriers around here. ;)
I think the face of fandom as a whole is changing too. Very few fans seem to be single fandom any more - I remember when I first started attending cons, Sentinel was the fandom that seemed to be sweeping all before it, with more zines than every other fandom together (or so it seemed) and room for not just genre zines but also *sub*-genre zines (virgin!Blair zines being the first example that comes to mind). Where are all the Sentinel fans now? Single fandom fans seem to be much commoner in the older fandoms - I've come across quite a few in UNCLE and I believe it's also the case for fandoms like Pros and Starsky & Hutch.
I guess for me, the question is: what is it about zines that people can't get anywhere else? If it's about having fic in a handleable format, most people now have printers and access to alternative means of binding. For any but the old school fandoms, the chances of you getting fic there which doesn't eventually end up online is never going to be that good, so that's not as much of a pull. Particularly when we're talking about fandom as a whole being so much bigger *because* of the internet, mailing lists, livejournal communities. And certainly there hasn't always been a substantive difference in quality of what's being offered - the major difference at times has been more about presentation than content. And as the economic pressures bite, a fancy cover is going to be the least of people's worries.
Not sure what my conclusion is from all this - personally speaking, I like submitting stuff to zines but if I hadn't done that, I doubt I'd have bought all that many zines. Likewise, if I hadn't got into crossing the Atlantic for cons, I definitely wouldn't have bought many (any?) non-trib zines at $9 a pop shipping, besides which I like to see what I'm getting for my money. While I bless the invention of Paypal for getting money to people overseas, there's lots of competition for my attention and my wallet, so what makes zines so special?
*waits for the rocks* ;)
no subject
Date: 2005-08-13 07:59 am (UTC)no subject
Date: 2005-08-14 09:01 am (UTC)It certainly is. But I was responding to your comment about wanting the best quality zine and how you'd expect that to cost more.
And how important for you, as obviously someone who has an idea of the technical issues and so on, is artwork in zines anyway?
no subject
Date: 2005-08-14 09:37 am (UTC)no subject
Date: 2005-08-14 12:52 pm (UTC)no subject
Date: 2005-08-14 02:07 pm (UTC)no subject
Date: 2005-08-14 03:41 pm (UTC)